15 Photos from 2015: Numbers 7 and 6

We’re counting down to the New Year by sharing 15 of our favorite photographs taken on site and during our travels throughout 2015.

#7 Concrete, WA

7 Washington State

This North Cascades town was named for the Portland Superior Cement plant, which supplied material for nearby dams and other projects

#6 New York State Pavilion, Queens, NY

6 Tent of Tomorrow

The Tent of Tomorrow, freshly painted

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15 Photos from 2015: Numbers 9 and 8

We’re counting down to the New Year by sharing 15 of our favorite photographs taken on site and during our travels throughout 2015.

#9 Hudson Valley

9 Hudson Valley

Looking up at a 1930s steel water tower

#8 Washington, DC

8 Washington, DC

Marcel Breuer’s 1968 headquarters for the U.S. Department of Housing and Urban Development, the Robert C. Weaver Federal Building

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15 Photos from 2015: Numbers 11 and 10

We’re counting down to the New Year by sharing 15 of our favorite photographs taken on site and during our travels throughout 2015.

#11 Western New York bridges

11 Western NY bridges

Looking down from a pair of steel-arch highway bridges, with a third steel truss bridge in the background

#10 Washington, DC

10 Washington DC

A curious deer watches a VA technician on rope

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15 Photos from 2015: Numbers 13 and 12

We’re counting down to the New Year by sharing 15 of our favorite photographs taken on site and during our travels throughout 2015.

#13 Trenton, NJ

13 Trenton

The Lower Trenton Bridge with its iconic 1935 sign, a Chamber of Commerce slogan promoting the city’s manufacturing businesses.

#12 Central Park

12 Central Park

Taken on a rainy day last January.

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15 Photos from 2015: Numbers 15 and 14

We’re counting down to the New Year by sharing 15 of our favorite photographs taken on site and during our travels throughout 2015.

#15 St. Mark’s Church in-the-Bowery, New York City

15 St. Marks

Cast iron fence enclosing the churchyard of the second-oldest church building in Manhattan

#14 Annapolis, MD

14 Annapolis

View of the Maryland State House and the Colonial Annapolis Historic District

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Industrial Rope Access vs. Conventional Fall Protection : National Safety Codes Evolve to Acknowledge Differences

Vertical Access has been a voting member of the American National Standards Institute (ANSI) / American Society of Safety Engineers (ASSE) Z359 Committee on Fall Protection since 2001.  The mission statement of the committee, in part, is to “produce voluntary national consensus standards to protect workers at height”.

These standards are intended for those involved in general industry fields.  “General Industry”, a term coined by the Occupational Safety and Health Administration (OSHA), includes all industries that are outside of the agriculture, construction or maritime industries.  Being classified as general industry, Vertical Access’s work conducting condition inspections falls under the territory of the ANSI Z359 Fall Protection Code. Learn more about the differences between ANSI and OSHA here.

Clockwise from lower left: DMM Double Stop, Rack, Petzl Stop, CMI Rescue 8, Petzl I'D

Descent Controllers. Clockwise from lower left: DMM Double Stop, Rack, Petzl Stop, CMI Rescue 8, Petzl I’D

VA’s primary contribution to the Z359 committee has been to advocate for the inclusion of industrial rope access (IRA) techniques and equipment in this highly respected fall protection code.  For the last three years, Kelly Streeter has been the chairperson responsible for developing the section of the code outlining requirements for descent controllers.  Although a critical component of equipment in the IRA work environment, descent controllers also play a role in other vertical environments including one-time-only rescue situations (from amusement park rides and ski lifts, for example).  Keith Luscinski has been an active member of several committees.

Because industrial rope access techniques and equipment can differ significantly from those employed in conventional fall protection systems, a section of the fall protection code, titled Z359.8, Safety Requirements for Rope Access Systems was created.  Under the chairmanship of Loui McCurley of the Society of Professional Rope Access Technicians (SPRAT) the subcommittee has labored to create a comprehensive IRA section of the code, a difficult task because of the significant departures in training requirements, work techniques and equipment selection from conventional fall protection.

For instance, a rope access backup device has different requirements than an ANSI Z359.15 fall arrester. For example, a fall arrest system may allow a worker to fall up to 11 feet, whereas a backup device in rope access would only ever allow a factor 2 fall on a 24” lanyard.  Therefore the design, performance and testing requirements are significantly different.

The repeatedly voiced concern from the full ANSI Z359 committee is that the inclusion of rope access equipment with different performance requirements may be confused on site with similarly marked conventional fall protection equipment.  Finally, after more than a decade of work, which saw much resistance to the inclusion of IRA in the ANSI Z359 code and many reversals of direction from the full committee, a resolution has seemingly been reached.

At the recent October committee meeting in Chicago, a group of rope access professionals, including Sam Terry (Sparkling Clean Window Company), Shaun Reed (US Bureau of Reclamation), Keith and Kelly, presented the Z359.8 document in its current form to the full committee and spent an hour discussing and addressing concerns from the full committee.  Near the end of the hour, an idea was suggested that the Z359.8 standard continue to be a part of the Fall Protection Code but bear a number other than Z359.  This would allow the rope access community to continue to draw upon the knowledge base of the full committee, while assuaging concerns that the equipment markings might be confused.  Also, many of the manufacturers on the full committee make both conventional fall protection equipment and rope access equipment, and the new organizational system will keep all the committees under one roof.

A win for all.

 

How the Tent of Tomorrow Got its New Coat of Paint

Predicted by its organizers to be the “greatest single event in history,” the 1964-65 New York World’s Fair was indeed a spectacle. One of the most notable structures of the Fair, and one of the few that still stands, is the New York State Pavilion. Looking to create a symbol of progress and to show off the state’s status as host of the Fair, Governor Rockefeller commissioned Philip Johnson, who worked with structural engineer Lev Zetlin, to design the New York State Pavilion. The pavilion was in fact an assemblage of three separate structures: the open-air Tent of Tomorrow, three interconnected Observation Towers, and the circular Theaterama.

The Tent of Tomorrow was used for several years after the end of the Fair in 1965, first for music and art shows, then as the “Roller Round Skating Rink.” In the summer of 1974, the City closed the tent structure, citing the “hazardous condition” of the Kalwall roof panels. The multicolored roof panels were removed in 1976, leaving the structure in more or less its current state.

Although unused for over forty years, the Tent of Tomorrow is showing new life thanks to the work of New York area painters. The City of New York Department of Parks and Recreation (DPR) who owns the structure, teamed with the New York Structural Steel Painting Contractors Association and the International Union of Painters and Allied Trades, Local 806 (Structural Steel and Bridge Painters of Greater New York) to complete a spectacular painting project during the summer of 2015.

Labor for the painting project was donated through apprenticeship programs of the trade groups. Funding to provide meals for the crew during the work was raised through crowdsourced funding. The paint job not only returns the steel elements of the Tent of Tomorrow to their original appearance, it also helps to protect the structure from continued corrosion and deterioration. The painting project is one step in the long process being undertaken by DPR and the borough of Queens to stabilize and hopefully one day restore the Tent of Tomorrow and Observation Towers of the New York State Pavilion.

Photos by Vertical Access.

Can you identify this building? – Series No. 7

Test your knowledge of historic and iconic buildings in the U.S. (and beyond!) in this series of “guess the building” blog posts.

Series No. 7:

This 25-foot-tall beauty stands atop one of the largest government buildings in the world, a Beaux Arts masterpiece completed in 1914. She holds a five-sectioned mural crown in her left hand, and a shield and laurel branch in her right. Where is this “fame”-ous statue?

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Answer: David N. Dinkins Municipal Building, New York, NY. Built to house an expanded city government following the consolidation of the five boroughs in 1898, it was the first skyscraper produced by the firm of McKim, Mead and White. The gilded copper statue atop its cupola is Civic Fame, by sculptor Adolph Weinman. The building was renamed for former Mayor David N. Dinkins in November 2015 in recognition of his decades of public service including a four-year term as mayor.

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Photos by Vertical Access.

Can you identify this building? – Series No. 6

Test your knowledge of historic and iconic buildings in the U.S. (and beyond!) in this series of “guess the building” blog posts.

Series No. 6:

This 25-foot-tall beauty stands atop one of the largest government buildings in the world, a Beaux Arts masterpiece completed in 1914. She holds a five-sectioned mural crown in her left hand, and a shield and laurel branch in her right. Where is this “fame”-ous statue?

P1000149

Screen Shot 2015-05-22 at 12.07.05 PM

Screen Shot 2015-05-22 at 12.09.28 PM

Answer: David N. Dinkins Municipal Building, New York, NY. Built to house an expanded city government following the consolidation of the five boroughs in 1898, it was the first skyscraper produced by the firm of McKim, Mead and White. The gilded copper statue atop its cupola is Civic Fame, by sculptor Adolph Weinman. The building was renamed for former Mayor David N. Dinkins in November 2015 in recognition of his decades of public service including a four-year term as mayor.

P1100420

Don’t miss another architectural challenge: subscribe to our blog by signing up with your email address in the sidebar. Click here to see all of the posts in this series.

Photos by Vertical Access.