Vertical Access is exited to see The Powerhouse Workshop project moving forward. We had the pleasure of assisting Roux Associates and Silman with the structural characterization and investigation of roof framing components as part of their site investigations.
The Brooklyn Rapid Transit Central Power Station was constructed in 1902 to supply electricity to the newly consolidated local steam railroad, elevated railroad and street car system.
Designed in the Romanesque Revival style by Thomas E. Murray, the BRT Powerhouse consisted of two parts. The extant south building housed the dynamo and engines, and the Boiler House, which contained the furnaces and coal storage. The Powerhouse was decommissioned and the boiler house demolished in the 1950s.
The powerhouse structure is comprised of built up steel lattice columns with infill brick walls. The roof structure is framed by primary modified Raised Toe trusses that span the space and are supported at the steel columns. Two secondary lateral trusses brace the primary trusses at the approximate third points.
Read the New York Times story here: http://nyti.ms/2mJrOLX
For more on the Powerhouse Workshop: http://www.powerhousearts.org/
Organizers of the 6th International Architectural Paint Research (APR) Conference are delighted to announce that Vertical Access has signed on as a sponsor of this year’s gathering. “This conference is a much-anticipated opportunity for professionals and academics to learn from each other and work together to protect and restore irreplaceable historic and cultural artifacts. Vertical Access’ support of this effort is critical to our success,” stated Conference Co-Chairs Mary Jablonski of Jablonski Building Conservation, Inc. and Kirsten Moffitt of Colonial Williamsburg.
The International Architectural Paint Research (APR) Conference will be held from March 15-17, 2017 in New York City on the historic campus of Columbia University. APR is a multi-disciplinary field, and this conference promises to bring together members of this vibrant, international community who include historic paint analysts, scholars, curators, art conservators, materials scientists, decorative painters, preservation architects, heritage managers, contractors, suppliers, preservationists, students, historians, and designers.
For more on the conference: http://www.apr2017.org/